We had a few of challenges during rehearsals such as;
- Me having problems
with Articulation - mainly when i'd say the address
- Chris being sick
(Creating other mannequin in case Chris does not show up
- Joseph being in
pain because his leg injury
- Performance day,
lights did not work properly
- Voice Over (Chris)
- Fixing the copied
clothes the day before our performance, not working properly
- Facing the audience
on my own, not moving at all, just saying lines with emotions
- Looking at the
audience
- Use of space
- Practicing
Every time I would
perform my monologue, I would get feedback from my friends as well as my
teacher. The main note was to work on articulation and articulate the last
letters of words. The main one was, when I would say something important or
something that would stand out, like when I would talk about how I was getting
bullied and how my dad would beat me up for no reason. When I was talking about
it, my feedback was to articulate and project better because i'm saying
important things, also so the audience knows how I ended up in the position
that I am right now. Overtime, as we would rehears I would try my best to slow
down and articulate every word better and to try to perform it as good as I
can. My main line was when I would say the address "Why would anyone care
about a kid that lives down at 45 Miller Way" I was explaining my address,
but my teacher and friends said that they didn't understand the words properly
therefore I was working on it a lot. When it came to the last couple performances,
I managed to articulate as well as I could and I impressed my teacher and she
was really happy.
Chris couldn't attend
the last month or last couple of weeks due to his asthmatic injury. He would
always give us a objective for each week to complete and we would always be in
touch with him and tell him what we done and what not. For the last week we
were working on our background story to create a little scenery for our
character. This helped us build sort of emotions for our character to know how it
feels to be in their position. Personally this helped me a lot because we done
a full 5-10 minute little play about my character. Joseph helped me with my
little play, as he acted two different characters. The bully (Jonah) and the
Dad. He first acted as the bully in school, when he barged me I almost drop and
I still said sorry because I didn't want any trouble with him. After that scene
I slowly turned around to go to my house and Joseph quickly swapped into the
Father. He held a bottle in his hand just the way I was explaining him in my
monologue. As he saw my walk in the house, he straight away started shouting
and me and the he slapped me for no reason. I then ran upstairs in my room to
the way it was written in my monologue. This helped me more than enough because
it gave me a sense of how it feels to be bullied for no reason. This was a bit
of a challenge to us because it was improvised all the way through, we didn't
think about it just straight acting without any time put into it - for the
background story.
When Joseph would
miss a lesson, he would let us know and give us a reason to why he wouldn't
make it. Joseph missing a lesson wouldn't really affect my time learning my
monologue, because I didn't have any scenes or anything with him. Our play was
all own monologues. Joseph really helped me with the background scenes of our
characters.
On the performance
day, we were doing a run through of our play in the morning, as we were
changing scenes from Stephanie to mine, the lights stopped working, and I was
waiting for the lights to change orange and then lights on which that's the
time when I walk in on stage to perform my monologue. The lights didn't turn on
for a good 10 minute, the technicians team told us that there was something
wrong with the lights. At this point I was getting worried because I was
thinking in 2/3 hours I'm doing the real play and imagine this happens, what
would I do? How would I react? Do I still walk in on stage even though the
lights don't work?. At the end they fixed the lights and I was really
happy and the technicians apologized for the problem. During the real
performance, at the first performance at 2:00PM , the lights were a little bit
faster than usual, and there were moment where Joseph was on stage clearing out
what was not meant to be there for the next scene - while the lights were off
(black out) and before he exit the lights turned on while he was still clearing
out. At the second performance at 7:00PM, the technician team were perfect,
there was nothing wrong with the lights or the sound or even the voice over
from Chris (The Pillowman...Thanatos). The second performance run really smooth
and I enjoyed performing a play that contained a story that included depression
and suicide rather than a comedic show. I was always in comedic plays, I had
never experienced bullies or depression, therefore the play Pillowman -
Thanatos gave me an idea of how it feels to be depressed and how easy it is to
lose your life when you are feeling lonely and isolated.
We were hoping that
Chris would be able to come back from his injury, but he couldn't. We had about
three different plans about our play. How things would go if Chris was here,
how things would go if Chris wasn't here, how things would go if we placed a
mannequin instead of Chris. We run through all of them, but the best one, of
course its if Chris was there but sadly, he couldn't attend due to his injury.
Therefore, we had to perform our play without Chris, but all his lines were
recorded and played through the speakers at the right time. I was really
impressed of how well it turned our with the voice over because it gave the
audience an idea that Chris has some sort of superpower, they can only hear him
in his head and hes giving them directions to end their life's. Personally,
using the voice over instead of the mannequin turned out really well and I was
really excited to the way it went.
When we were working
with costume, we all had to pick school looking blazers or trousers because we
were students. We needed to have two similar blazers, two similar shirts, two
similar trousers and two similar ties because, one I'd wear in the performance
while performing and the second on hangs down from the lights when I die at the
end of my scene to show that I died. The double clothing, we working on it on
the day before the performance and we set it up. The next day in the morning
there was some trouble with it when they would go down in the stage attached to
a rope to represent our death. We had couple of problems with it when the
clothes would go down, sometimes it would fall down, or hang on something else
and it wouldn't look professional. In the morning the technician team worked on
it and they fixed it really well, by the time we done our run through, the
clothing - dropped without any problem and it looked really well and organised.
We was all happy about it because that was really important to show the death
of us. Also, it was our first idea we suggested when we were going through the
lines and when were were talking about our death, and the way it should end.
What I found kind of
difficult was, when I was on stage by myself, it felt as if I had the whole
power in the room. I did. Everyone had their eyes and mind on me, everything
that was said was by me, and I never had that experience on stage in my life.
Being there on my own. Expressing my character the best I could, trying to
impress the audience and make them feel the way I feel about my character, put
them in my position. My scene was extremely depressing because I was getting
bullied by a group of people in school, and when i'd come home i'd get hit by
my dad for no reason and make me bleed. I was really impressed with the way it
turned out because I had never performed a scene where it included, anger,
depression, bullying, suicide, etc. I was always in a comedic sort of play.
While I would be saying my lines and acting as my character, I would look at
the audience and be impressed by everyone because all their eyes were on me. As
I would act, I would think of articulation and slowing down - for me to be able
to perform to my best ability. My confidence grew, when I would act it in front
of my friends or when we would have a run through, because then, even if you
mess up or forget a line, you still can get on track or a friend that's helping
you line run would be able to help you in case you fail.
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